It looks SO much nicer than mine. Wow.
Here’s where you find it: http://sandgrainsintopearls.wordpress.com/. Maybe he’ll write about the “erection question” (what do I do if I have an erection while dancing?) so that I don’t have to. :)
Already he’s posted some gems:
- The Ten Sins of a Contact Improvisation Teacher
- The Difficult Student — some suggestions what to do about a student in a class whom no one wants to partner with
Oh, who is Martin Keogh? He’s a popular and influential contact improvisation teacher and dancer. He’s been a major part of both the San Francisco Bay Area and Boston contact improvisation communities, and has taught all over the world. I believe enough of his teaching has passed into common practice that I’m not entirely aware of how many of his ideas and techniques have become a part of my teaching and dancing. He has a short bio on his main Web site.
I’ve only had limited exposure to Martin, but I’ve noticed the following things about his teaching: (1) his use of words and images to evoke the imagination of his students; (2) an emphasis on building a community through the course of the workshop, on having it be more about just the instruction; (3) his masterful transitions between exercises, or lack thereof — at the end of every exercise is another, and you’re excited by where things are going and what is happening next; and (4) a rare mix of corporeal and the magical, managing to both root us in our bodies and make us dream a little. I should add that this doesn’t imply any deficiencies in any other area of his teaching, whether it be clarity, thoughtfulness, structure, specificity, etc.
Thanks for posting this. Lots of people have found their way to my blog for contact teachers and investigators from this.
Abrazos, Martin
Wonderful. I admire if not aspire to your blog. Thank you very much for it.